Watch S1, EP5: A New Horror for $0 Today
The emergence of cellphones and new technology in the 2000s exposes Americans to new and perpetual terrors; horror filmmakers adapt, and seminal films like "The Blair Witch Project" open new doors; Blumhouse reinvents the genre with new nightmares.
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S1, EP5 "A New Horror"
The emergence of cellphones and new technology in the 2000s exposes Americans to new and perpetual terrors; horror filmmakers adapt, and seminal films like "The Blair Witch Project" open new doors; Blumhouse reinvents the genre with new nightmares.
S1, EP4 "Relentless Evil"
In the 1980s, 24-hour cable news dominates the threat of new modern terrors; moviegoers embrace iconic slashers like Freddy Krueger and Jason Voorhees; vampire films see a resurgence.
S1, EP3 "Unholy Dreams"
In the 1960s and '70s, horror films reflect the real and intangible change younger Americans demanded; a new generation of auteur horror filmmakers push the envelope with films like "Halloween," "Carrie," "Rosemary's Baby" and "The Exorcist."
S1, EP2 "Atomic Nightmares"
Following World War II, Americans' anxieties evolve into fears around unchecked science, nuclear annihilation, and Communism, aka "the Red scare"; horror filmmakers respond with legendary films like "Invasion of the Body Snatchers" and "The Blob."
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Monsters
This horror anthology series features episodes that, as the title suggests, usually involve monsters -- ranging from an animatronic puppet from a fictional children's TV show to weapon-wielding, mutated lab rats -- as the antagonists of the episodes. Some episodes of the series, which blends comic elements into the horror, are adaptations of stories written by noted authors, including Stephen King.
Grimm
Portland detective Nick Burkhardt, descended from a long line of warriors known as Grimms, defends his city from magical creatures known as Wesen, which are part human and part animal. Fighting alongside his partner, Hank, colleague Sergeant Wu and friends Monroe and Rosalee, Nick faces off against internal and external forces, including his police captain, Sean Renard.
Eerie, Indiana
Poor little Marshall Teller. First, his parents uproot him from his home in New Jersey. Then they move the whole family to Eerie, Indiana, population 16,661, where nothing is as it seems. Strange things happen in Eerie (which Marshall could have expected from the name); however, only Marshall and his new friend, Simon, seem to notice. As they explore the town, they try to keep evidence as proof of the weird goings-on (such as still-living Elvis showing up). Marshall's father, Edgar, is a scientist who works at a product-testing company; his mother runs a party-planning business at the Eerie Mall.
What We Do in the Shadows
A look at the lives of four vampires who've lived together for hundreds of years on Staten Island. The self-appointed leader of the group is Nandor the Relentless, a warrior and conqueror from the Ottoman Empire. Then there's the British vampire Laszlo -- a bit of a rogue and a dandy and a fop, he might say. He's a lover of mischief and a soirée, but not as much as he loves seeing Nandor fail in every attempt. And then there's Nadja: the seductress, the temptress, the vampiric Bonnie to Laszlo's Clyde. Also cohabiting in the vampire household is Guillermo, Nandor's familiar; Colin Robinson, an energy vampire and day-walker of sorts -- he feasts on humans, but not on their blood.